Painting «Jorney»

When the muses appear all is amazing. The inspiration embraces you and you are a pure possession and take the brushes and let it out. The flow under control, the expressionism with logic. Guided by the muses influence the painting comes out and the shapes become a reality. This color here and this color there… Fantastic. The abstraction is awesome. «Jorney» is a day by day trip. One of this days was used glue, other gouache, other metallic pigment. The compositon must be homogeneous, the balance of colors, the movement of bodys, the meaning of the moment. apparently the final ressult becomes a pure chaos of emotions but the reality is very different. This viscerality apparence becomes in the most deepest in a meditated history of soul and mind expression.

Toni H Carné – October – 2017

Milana May about «Milana May in Meditation» Painting

Milana May surprised seeing for the first time Toni H Carné ‘s Painting
«Milana May in Meditation»
Was a special night/moment – This means a lot to me – THKS
12 May 2016 – New York City

Painting «Milana May in Meditation» 2016

Let me tell you something about Milana May in Meditation:
Once upon a time Toni H Carné he saw one picture of Milana May and begins the odyssey of inspiration, creativity and finally both working together… the project and all the enviroment transforms in something special. This painting is something special!
Well i work in world of arts and design since 17 years and the painting is a therapy for me more than a simple work. Is passion and i wanna share mi work of passion. Is for that i wanna give you this painting. Sometimes i give paintings to my friends/muses. I wanna this painting in your home, in your studio or in your life. I wanna this painting out of my frontiers, all over the world. How Salvador Dalí bring Surrealism to NYC.
Well… mi main idea (what i would like) is when i arrive to new york you see the painting and then all the universe explodes.

Milana May in Meditation - Oil painting on Canvas 130x89 cmMilana May Web in reverbnation

Delirium VideoArt

When minds fusion born artistic projects as «Delirium»
The filmmaker vision Marc Galceran & Milana May’s atmospheric music:

«Delirium» is a project created by the Spanish Painter Toni H Carné, the filmmaker Marc Galceran and from New York the Singer-Songwriter-Producer Milana May.
Walk in a real-dream, experience a surrealistic trip by the colors, shapes, music with soul in the world of video art. Free your mind…

Cuando las mentes se juntan, nacen proyectos artísticos como «Delirium»
La visión del director catalán Marc Galceran y la atmosférica música de la cantante y productora Neoyorkina Milana May; nos llevan a viajar por mis pinturas.
Camina por un sueño real, experimenta un viaje surrealista por los colores, formas, la música con alma, en el mundo el video arte… Llegó la hora del delirio!

Digital Portraits

Syliane’s «Alien Nymph» portrait (Eva Part LXII) 2018

My preference has always been oil painting (I also use acrylic). Other times I like to immerse myself in the digital world. Although the «easy» things do not catch my attention, if i find it good and productive to use Photoshop as a study and therapeutic design (this program is brutal making our lives more enjoyable). It is a total curiosity to «play» with the Wacom. Efficiency, the speed of execution, without entertaining itself in mixtures. Powerfully. We can not avoid digital technology, it is there around us every day and although I am a classic and I think there is nothing like picking up the pencil and drawing on a paper, smelling of paint, staining your fingers .The digital expression It’s here, I’ve been surrounded by computers all my life and the influence is remarkable. Digital creation can be wonderful, it has its charm; Is the momentary evasion of the brushes and now I share some of my digital artwork .A series of sketches began in 2012, portrait studies of my beloved muses:
The «Evas» are portraits of friends, models, actresses, singers.
The nickname was the idea of a friend: These portraits reflect the beauty of the woman; His charm, character, his mystery … His look .. the essence!

Alba MessaAlba Messa universe 2017

Demon Girl – Sandra’s portrait (Garden Trilogy «Hell» Sketch) 2018

Sandra Romain portrait (Garden Trilogy «Hell» Sketch) 2018

Luv Lips – Lucie portrait 2018

Eva Part LIVI – Isobel’s Portrait – 2017

Eva Part LIVII – Julia’s Portrait – 2017

Eva Part LII – Nelita’s Vision – 2017

Syliane’s portrait – Eva Part L – 2016/2017

Eva Part LIV – Sandra Romain Portrait – 2017

Retrato de Myriam Rodilla – Eva Part XLIX – 2016

Eva 46

Actress Brooke Butler Portrait – Eva Part XLVI – 2015

Eva 47 - Digital Portrait 2015Retrato de la modelo Alexxa Joy – Eva Part XLVII – 2015

Alexxa Joy como Elfa del paríaso – Eva Part XLIV – 2015

Oona Chaplin Portrait – Eva Part XLV – 2015

Asia Argento – Eva Part XL – 2014

Paloma López – Eva Part XLI – 2014

Nika Mills – Eva Part XXXVI – 2012

Retrato basado en una foto de Kat Von D – Eva Part XXVIII – 2012

Milana May – Eva Part XXV – 2012

Marie – Eva Part XIX- 2012

  Jenny & Toni – Eva Part XX – 2012

Noelia – Eva Part XXXVII – 2013

Garden Trilogy 2017

Paraiso Versión 2015


Lujuria Version 2015LujuriaInfierno versión 2015Infierno


It was around 2008 when a good friend inspired me with a surprising request that would change many aspects of my life:
You’ve got to paint the most groundbreaking, bizarre, crazy and grotesque picture.
All my work until then was reduced to simplicity compared to this future painting:
He must overcome all that you have done in depravity and provocation.
That intention to transcend himself in all aspects, both artistic and mental delirium took me and filled me with curiosity and energy.
The «classic» mixed with the surreal; emotions and thoughts multiplied by a thousand.

Fue por el año 2008 cuando un buen amigo me «iluminó» con un sorprendente encargo que iba a cambiar muchos aspectos de mi vida:
-Tienes que pintar el cuadro más rompedor, bizarro, alocado y grotesco.
Toda la temática de mi obra hasta entonces quedaba reducida a la simplicidad en comparación con esta futura pintura:
-Debe superar todo lo que has hecho en depravación y provocación.
Con ello; esa intención de superarse a si mismo en todos los aspectos, tanto artísticos como mentales me llevó al delirio y me llenó de curiosidad y energía.
Lo «clásico» mezclado con lo surrealista; las emociones y los pensamientos multiplicados por mil.

Full of motivation, the same year he began to shape a draft paper of the custom mad, it would be a personal vision inspired by the most popular and hypnotic painting of all time, «The Garden of Earthly Delights« by Hieronymus Bosch.
Was conceived the first sketch pencil; «Paradise» (the first part) with a clear idea on the topic and atmosphere (until today has remained the original sketch and has grown from God, Adam and Eve have many more characters).
Soon after came «Hell» (the last part, more improvised and direct).
«Lust» (the middle) drew two years later without any previous draft.

Cargado de motivación, ese mismo año se empezó a plasmar un borrador en din A3 del descabellado encargo, que sería una visión personal inspirada en la pintura más popular e hipnótica de todos los tiempos: «El Jardín de las Delicias» de Hieronymus Bosch.
Se gestó a lápiz el primer boceto; «Paraíso» (la primera parte) con una idea muy clara sobre la temática y la ambientación (hasta el día de hoy se ha mantenido el boceto original y ha pasado de Dios, Adán y Eva; a tener muchos más personajes).
Poco después llegó «Infierno» (la última parte; más improvisada y directa en ejecución).
«Lujuria» (la parte central) se dibujó dos años después sin borrador previo.

From the initial idea of triptych, over the years it became a trilogy, creating an idea of evolution, transition: «You start with the first part to surprise the public on a paradise apparent calm, full of melancholy characters and a fantasy, mixed as in the other two parties are openly manifest. grotesque, savage and evil … So to finish frightening, disturbing and unsettling the viewer on the trip that each part takes us to a emotional and sensory tour of the three most memorable places in the history of mankind:
Paradise, Purgatory (lust) and Hell «

De la idea inicial de tríptico, con el paso de los años se pasó a una trilogía, formando con ello una idea de evolución, de transición: «Se empieza con una primera parte para maravillar al público en un paraíso en aparente calma, lleno de personajes melancólicos y un entorno de fantasía, todo mezclado sutilmente por lo que en las otras dos partes se manifestará abiertamente: lo grotesco, lo salvaje y malévolo… Así para terminar asustando, inquietando e incomodando al espectador en el viaje. Que cada parte nos lleve a un recorrido emocional y sensorial por los tres lugares más emblemáticos de la historia de la humanidad; El Paraíso, el Purgatorio (la lujuria) y el Infierno.»

In January 2015 the sketches have become a gigantic project, Dantesco, without taboos, with total freedom of expression, keeping the main idea of ​​provocation, freedom of mind and following a full of dreams and fantasies Surrealist style … all in a close and objective reality simultaneously.
The sketches have gone from pencil and paper to digital format color (all over worked in composition and backgrounds and characters). Now the final version ready to be embodied in three oil paintings of 200×120 cm each (the combination shall have overall dimensions of 600x120cm) ending the «Garden Trilogy».
Seven years of work and dedication, study and observation, searching the subconscious and taking the good with the bad. Seven years of dedication, work.
Special mention for all the great collaborations on this special project. Crucial and important contributions of great people who are part of my artistic and personal life. Thanks to them the trilogy has life.

En enero de 2015 los bocetos se han convertido en un proyecto gigantesco, Dantesco, sin tabúes, con total libertad de expresión, manteniendo la principal idea de provocación, liberación del pensamiento y siguiendo con un estilo Surrealista repleto de sueños y fantasías… todo dentro de una realidad cercana y objetiva al mismo tiempo.
Los Bocetos han pasado del lápiz sobre papel, al formato digital en color (todo más pulido en detalles,composición y en los fondos y personajes). Ahora ya en su versión final preparada para ser plasmada al óleo en tres lienzos de 200×120 cm cada uno (el conjunto tendrá unas dimensiones totales de 600x120cm) finalizando así la «Trilogía del Jardín».
Siete años de trabajo y dedicación, de estudio y observación, de hurgar en el subconsciente y sacar lo bueno y lo malo. Siete años de implicación y de lucha, de trabajo y empeño.
Mención especial para todas las grandes colaboraciones en este proyecto tan especial. Cruciales e importantes aportaciones de grandes personas que ya forman parte tanto de mi vida artística como en la personal, sin ellas y sus ideas la trilogía no sería lo que es.

A trip to the emotions, a search of hypnotic and obsessive contemplation. A huge pleasure for the senses. Pure visceral The Garden of Delights.

Un viaje a las emociones, una búsqueda de la contemplación hipnótica y obsesiva. Un enorme placer para los sentidos. Pura visceralidad… El Jardín de las Delicias.


Toni H Carné – Enero 2015